Ph.D Philosophy of Art, University of Illinois at Chicago, IL
M.F.A. Painting, School of the Art Institute of Chicago, IL
B.A. Architecture and Fine Arts, University of Pennsylvania, Philadelphia, PA
Skowhegan School of Painting and Sculpture, Skowhegan, ME "Nothingness and the Dimension of Visibility: Nishida, Merleau-Ponty and Huineng"
Forthcoming, Merleau-Ponty and Buddhism, eds. J. Park and G. Kopf
"Painting from the Heart: Beauty, Moore and Merleau-Ponty's Wholes of Visibility"
Analecta Husserliana XCII: 103-111, 2006
"Care for the Flesh: Gilligan, Merleau-Ponty and Corporeal Styles"
Feminist Interpretations of Maurice Merleau-Ponty, Pennsylvania State University Press, 163-184, 2006
"The Roots of Agency: Merleau-Ponty, Flesh and Foucault"
Interrogating Ethics: Embodying the Good in Merleau-Ponty, Duquesne University Press, 163-184, 2006
"Marsha Meskimmon, Women Making Art; and Hypatia, Special Issue, ed. P. Brand and M. Devereaux
Book review, Journal of Aesthetics and Art Criticism 63: 384-387, Summer 2006.
"The Problem of the World: Flesh, Soul and Place"
Analecta Husserliana, LXXIX: 167-182, 2004
Merleau-Ponty's Eye and Mind: Rethinking the Visible"
Journal of Contemporary Thought, 17: 27-37, 2003
"Dwelling in Nature: Ethics, Form and Postmodern Architecture"
Analecta Husserliana, LXXIII: 73-83, 2001
"Art and the Reenchantment of Sensuous Human Activity"
Analecta Husserliana, LXV: 137-149, 2000
"Merleau-Ponty’s Three Intertwinings"
Journal of Value Inquiry, 34: 89-101, 2000
"Documentary Images and Shared Encounters"
Film and Philosophy, 3: 77-86, 1996
"André Bazin on Automatically Made Images"
Journal of Aesthetics and Art Criticism 51: 59-67, Winter 1993 David Brubaker teaches courses in philosophy, art history and studio art.
David's interests include aesthetics, art criticism, the philosophy of film and video, painting and printmaking. |
